A freediver holding mid-water beside a steep rock wall, lit from the surface above.

Resume · Freediving

Quốc Nguyễn

Filmmaker · Video Editor · Freediver

I’m a filmmaker and video editor, and I’ve been freediving long enough that it shows in the work. Shooting freediving isn’t just taking a camera underwater — I know how a freediver moves, where to put myself for the angle, and what the footage is going to need once I’m editing it. It’s also the work I enjoy most.

VIDEO

Selected Freediving Videos

The ones that show the shooting, the editing and the storytelling most clearly.

GALLERY

Freediving Photography

Stills from the same dives.

CAPABILITY

What I do

Shooting freediving

I shoot on a fairly compact setup. After years of shooting freediving I'm genuinely good at picking the angle, and I can hold the camera smooth and move it with the current.

Editing & storytelling

My freediving color work is excellent, and clients consistently rate the results very highly. I also work as a content creator, so on freediving content projects I'm usually told the message comes through with real depth.

Underwater color

Silty water or clear water — I've worked through both. My color workflow is tuned about as far as it goes, and it's the thing I do best on a freediving video.

International freediving certification

I'm not only a video editor — I'm a real freediver, certified to Molchanovs Wave 1.

UNDERWATER COLOR

Underwater Color Workflow

The underwater color I use comes directly from my Wander Color System workflow — LUTs and presets I’ve built from years of working with my own footage.

Some of those presets are made specifically for freediving, where visibility, water color and light can change fast. The goal is simple: get to a color that looks good, has its own character, and still works in a real editing workflow.

Explore Wander Color System
BEFORE
The same reef frame straight off the camera: hazy green water, the coral head washed out and the freediver barely separated from the background.
AFTER
The same frame after grading: the water reads deep blue, the coral head comes back to gold, and the freediver separates clearly from the reef behind him.
Before / After — the same footage, graded with my Wander underwater workflow.

WORKFLOW

Gear & Workflow

Camera

  • GoPro HERO13 Black
  • Sony A7C
  • DJI Osmo Pocket 3

Software

  • Adobe Premiere Pro
  • CapCut
  • Adobe Lightroom
  • Adobe Photoshop
  • Adobe Audition

Work

  • Freediving video
  • Video editing
  • Storytelling
  • Color grading
  • Photography

SOCIAL

Contact

Looking for someone who can shoot, edit and actually get in the water?

Let’s talk